To my delight, twice last month I was invited to help a friend with a charitable calendar that they were producing. The first being the "Tattoo Shoot" that you see below, the second, to collaborate with a friend, and chain mail artist, Karma of Enchantress Designs. While much less daunting than the higher profile tattoo calendar, this shoot had it's own challenges that shifted as the date came closer and closer. We had initially set up a shoot in a nice park near to both of our
houses, I had gone to the park, scouted a couple locations that I thought would simply rock for the purposes of our shoot and was ready to go. Karma though, a mother of 3, had the kids that particular day and we decided it would be far too much stress to get them out to the park and entertain themselves while I fiddled with lights for an hour. She suggested her patio, I relunctantly agreed. I say relunctantly because, while she has a very fine patio, as far as patios go, a patio's.....a patio. Not exactly the kind of scene you imagine to see a woman dressed up as a "bad fairy", feathery wings, sharp fangs and all, flutterling about in her finest chain mail and associated accoutrements. As luck would have it, however, she had just had a "bellydance birthday party" and so this average patio was still laden with colorful pillows, Eastern throws, and sarongs.
While she put the finishing touches on her make-up, I jumbled together a pile of pillows, hung a few extra colored sarongs, shoved a nearby umbrella thingy in the corner and set up my lights. As all of my shoots seem to go, the intial few shots were mediocre at best. This may be every photographer's experience, I can't say for certain. On a side note......I've decided that much more often than not, photography, and art at large, is more a systematic process of problem solving and beautification, as opposed to the result of some extra-human inspiration that we something attribute it to be......Lately, I've had just as many experiences where I've had to work through a scene or subject to find the photo I'm looking for, as I have set out to build the photo I've predetermined in my mind.Anyway, she jumped into the pile of pillows I had created for her. Too low, too puffy......I grabbed
automan, shoved into the pile and had her lean against it for support. I hid her support with all the pillows and you couldn't tell the difference! We worked for about an hour, I tried a few different setups. I had a particular feeling that I wanted to go for, that I had wanted to go for when we were set to shoot in the park. I had given up on that setup when we switched to the patio, but ultimately, when everything else was coming ourt a little drab, I asked if I could try something, just for the hell of it. She, of course, agreed and I set up the lights in a classic "beauty light" setup with two rim lights. I didn't think I would be able to pull this light off with this scene, but as soon as I got the lights in place, she just began to glow with soft, even, flattering light. Exactly what I wanted. She looks great, I look great. After taking a few shots, she began to improvise her poses, and the last 5 or so poses were the ones that made my cut. The very last shot being the one I chose as my submission. You never know, sometimes it's the first, sometimes it's the last, you just gotta keep shooting.

























